Swiss artist, 1741–1807
Portrait of Winckelmann is an oil on canvas painting by the Swiss artist Angelica Kauffmann, from 1764. It was produced in Rome and represents the famous archaeologist and art historian Johann Joachim Winckelmann, whose work greatly contributed to the revival of classical studies and the change in style from rococo to neoclassicism. It is signed at the lower right by the artist and is now in the Kunsthaus Zürich.
Angelica Kauffmann, who was only twenty-two years old when she painted this portrait, truly began her career with this painting, thanks to which she was able to obtain new commissions in the cultivated circles of her time. The same year Winckelmann published his famous work History of the Art of Antiquity. Reception →
The painting depicts Winckelmann seated at his work table, with a pen in his right hand. Both his hands rest on an open book, who is placed on a flat antique bas-relief representing the Three Graces. Description →
Ariadne Abandoned by Theseus is an oil-on-canvas painting by the Swiss artist Angelica Kauffman. It was painted in England in 1774. It is displayed in the Museum of Fine Arts, in Houston, Texas, as a gift from Mr. and Mrs.
Ariadne Abandoned by Theseus is on oil painting on canvas. The painting is signed and dated in the lower left. Description →
Angelica Kauffman was recognized to have talent in her youth and her father encouraged her development in painting and education in Italy. She lived in England for 15 years, where she was highly regarded and sought after. Creation and early history →
Ariadne is the daughter of Minos, king of Crete, in Greek mythology. She is put in charge of Minos' labyrinth where seven humans from Athens were sacrificed to the Minotaur every 7 or 9 years. Myth →
Sappho Inspired by Love is an oil painting on canvas of 1775 by Angelica Kauffman, now in the John and Mable Ringling Museum of Art in Florida, having been in John Ringling's collection.
Hector Summoning Paris to Battle is an oil on canvas painting by Angelica Kauffman, from 1775. It is held in the Hermitage Museum, in Saint Petersburg. It shows a scene from the Iliad, with Paris sitting on a chair in the foreground with his bow at his feet, Helen of Troy and servants to the right and an armoured Hector with a lance to the left.
The Parting of Abelard and Heloise or Abelard and Heloise Say Farewell is an oil on canvas painting by Angelica Kauffman. It is signed on a block of stone at bottom centre Angelica K. pinx. It shows Peter Abelard and Héloïse parting as she enters the convent of Sainte-Marie at Argenteuil.
Ferdinand I and His Family is an oil-on-canvas painting by the Swiss artist Angelica Kauffman, from 1782. It is held in the National Museum of Capodimonte, in Naples.
The group portrait was created during Kauffmann's Neapolitan stay, between 1782 and 1783. She had come from London, and was welcomed by the Royal House with honors; she even became a close friend of Queen Maria Carolina of Austria. History and description →
Telemachus and the Nymphs of Calypso is an oil painting by the Swiss artist Angelica Kauffman, from 1782. It is in the collection of the Metropolitan Museum of Art, in New York.
This painting and The Sorrow of Telemachus were painted for Monsignor Onorato Caetani (1742-1797). They show scenes from the French novel The Adventures of Telemachus published by François Fénelon in 1699, and based on the story of Telemachus, son of Odysseus. Early history and creation →
The work depicts the arrival of Telemachus on Ogygia, Calypso's island. He is welcomed by her nymphs with fruit, wine and flowers. Description and interpretation →
Self-Portrait is an oil on canvas self portrait by Angelica Kauffman, from 1784. It is held in the Neue Pinakothek, in Munich, having been acquired by Louis I of Bavaria for his collection in 1826.
Virgil Reading the Aeneid to Augustus and Octavia is an oil on canvas painting by Angelica Kauffman, from 1788. It is held in the Hermitage Museum, in Saint Petersburg, which it entered in 1902. A preparatory study is in the Royal Collection.
Venus Persuading Helen to Love Paris or Venus Induces Helen to Fall in Love with Paris is a 1790 oil on canvas painting by Angelica Kauffman. It is held in the Hermitage Museum, in Saint Petersburg.
It shows Helen of Troy (far left) being persuaded by Venus (centre) to fall in love with Paris (right), abandon her husband Menelaus and go with Paris to Troy, thus triggering the Trojan War. Venus' son Cupid holds Paris's hand. Description and analysis →
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