Portrait of Aphrodite of Knidos

Aphrodite of Knidos

lost sculpture by the Greek sculptor Praxiteles of Athens, c. 360 BCE

The Aphrodite of Knidos was an Ancient Greek sculpture of the goddess Aphrodite created by Praxiteles of Athens around the 4th century BC. It was one of the first life-sized representations of the nude female form in Greek history, displaying an alternative idea to male heroic nudity. Praxiteles' Aphrodite was shown nude, reaching for a bath towel while covering her pubis, which, in turn leaves her breasts exposed. Up until this point, Greek sculpture had been dominated by male nude figures.
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Aphrodite head Kaufmann Louvre

Aphrodite head Kaufmann Louvre

The Kaufmann Head in the Musée du Louvre. The Aphrodite of Knidos was an Ancient Greek sculpture of the goddess Aphrodite created by Praxiteles of Athens around the 4th century BC. It was one of the first life-sized representations of the nude female form in Greek history, displaying an alternative idea to male heroic nudity.

The Knidian Aphrodite was one of the most widely copied statues in the ancient world, so a general idea of the appearance of the statue can be gleaned from the descriptions and replicas that have survived to the modern day. Influence →

The Aphrodite of Knidos was a marble carving of the goddess Aphrodite by the sculptor Praxiteles, which was bought by the people of Knidos in the middle of the 4th century BC. Original →

The temple of Aphrodite in Knidos where the statue was displayed is described by two ancient sources, Pliny the Elder in his Natural History and Pseudo-Lucian in his Amores. According to Pliny, the sculpture was housed in a small building, open on all sides – by which he likely meant a monopteros, a colonnade with a roof but no walls. Temple in Knidos →

Eric Gaba (User:Sting) · CC BY-SA 2.5 · Wikimedia Commons

Aphrodite of Cnidus 2

Aphrodite of Cnidus 2

Back view of the Aphrodite of Knidos, Roman copy, 4th century AD. The Aphrodite of Knidos was an Ancient Greek sculpture of the goddess Aphrodite created by Praxiteles of Athens around the 4th century BC. It was one of the first life-sized representations of the nude female form in Greek history, displaying an alternative idea to male heroic nudity.

The Knidian Aphrodite was one of the most widely copied statues in the ancient world, so a general idea of the appearance of the statue can be gleaned from the descriptions and replicas that have survived to the modern day. Influence →

The Aphrodite of Knidos was a marble carving of the goddess Aphrodite by the sculptor Praxiteles, which was bought by the people of Knidos in the middle of the 4th century BC. Original →

The temple of Aphrodite in Knidos where the statue was displayed is described by two ancient sources, Pliny the Elder in his Natural History and Pseudo-Lucian in his Amores. According to Pliny, the sculpture was housed in a small building, open on all sides – by which he likely meant a monopteros, a colonnade with a roof but no walls. Temple in Knidos →

Public domain · Wikimedia Commons

Aphrodite von Knidos

Aphrodite von Knidos

Aphrodite of Knidos, Roman copy, 4th century AD. The Aphrodite of Knidos was an Ancient Greek sculpture of the goddess Aphrodite created by Praxiteles of Athens around the 4th century BC. It was one of the first life-sized representations of the nude female form in Greek history, displaying an alternative idea to male heroic nudity.

The Knidian Aphrodite was one of the most widely copied statues in the ancient world, so a general idea of the appearance of the statue can be gleaned from the descriptions and replicas that have survived to the modern day. Influence →

The Aphrodite of Knidos was a marble carving of the goddess Aphrodite by the sculptor Praxiteles, which was bought by the people of Knidos in the middle of the 4th century BC. Original →

The temple of Aphrodite in Knidos where the statue was displayed is described by two ancient sources, Pliny the Elder in his Natural History and Pseudo-Lucian in his Amores. According to Pliny, the sculpture was housed in a small building, open on all sides – by which he likely meant a monopteros, a colonnade with a roof but no walls. Temple in Knidos →

Privatarchiv Foto von MrArifnajafov fotografiert · CC BY-SA 3.0 · Wikimedia Commons

Cnidus Aphrodite Altemps Inv8619

Cnidus Aphrodite Altemps Inv8619

Cnidus Aphrodite. Marble, Roman copy after a Greek original of the 4th century. The Aphrodite of Knidos was an Ancient Greek sculpture of the goddess Aphrodite created by Praxiteles of Athens around the 4th century BC. It was one of the first life-sized representations of the nude female form in Greek history, displaying an alternative idea to male heroic nudity.

The Knidian Aphrodite was one of the most widely copied statues in the ancient world, so a general idea of the appearance of the statue can be gleaned from the descriptions and replicas that have survived to the modern day. Influence →

The Aphrodite of Knidos was a marble carving of the goddess Aphrodite by the sculptor Praxiteles, which was bought by the people of Knidos in the middle of the 4th century BC. Original →

The temple of Aphrodite in Knidos where the statue was displayed is described by two ancient sources, Pliny the Elder in his Natural History and Pseudo-Lucian in his Amores. According to Pliny, the sculpture was housed in a small building, open on all sides – by which he likely meant a monopteros, a colonnade with a roof but no walls. Temple in Knidos →

Copy of Praxiteles; restorer: Ippolito Buzzi (Italian, 1562–1634) · Public domain · Wikimedia Commons

Colonna-Venus-front

Colonna-Venus-front

The Colonna Venus. The Aphrodite of Knidos was an Ancient Greek sculpture of the goddess Aphrodite created by Praxiteles of Athens around the 4th century BC. It was one of the first life-sized representations of the nude female form in Greek history, displaying an alternative idea to male heroic nudity.

The Knidian Aphrodite was one of the most widely copied statues in the ancient world, so a general idea of the appearance of the statue can be gleaned from the descriptions and replicas that have survived to the modern day. Influence →

The Aphrodite of Knidos was a marble carving of the goddess Aphrodite by the sculptor Praxiteles, which was bought by the people of Knidos in the middle of the 4th century BC. Original →

The temple of Aphrodite in Knidos where the statue was displayed is described by two ancient sources, Pliny the Elder in his Natural History and Pseudo-Lucian in his Amores. According to Pliny, the sculpture was housed in a small building, open on all sides – by which he likely meant a monopteros, a colonnade with a roof but no walls. Temple in Knidos →

Public domain · Wikimedia Commons

Knidos Temple of Aphrodite 95 014

Knidos Temple of Aphrodite 95 014

Remains of the temple of Aphrodite at Knidos excavated by Iris Love. The Aphrodite of Knidos was an Ancient Greek sculpture of the goddess Aphrodite created by Praxiteles of Athens around the 4th century BC. It was one of the first life-sized representations of the nude female form in Greek history, displaying an alternative idea to male heroic nudity.

The Knidian Aphrodite was one of the most widely copied statues in the ancient world, so a general idea of the appearance of the statue can be gleaned from the descriptions and replicas that have survived to the modern day. Influence →

The Aphrodite of Knidos was a marble carving of the goddess Aphrodite by the sculptor Praxiteles, which was bought by the people of Knidos in the middle of the 4th century BC. Original →

The temple of Aphrodite in Knidos where the statue was displayed is described by two ancient sources, Pliny the Elder in his Natural History and Pseudo-Lucian in his Amores. According to Pliny, the sculpture was housed in a small building, open on all sides – by which he likely meant a monopteros, a colonnade with a roof but no walls. Temple in Knidos →

Dosseman · CC BY-SA 4.0 · Wikimedia Commons

Satala Aphrodite Yerevan 2025

Satala Aphrodite Yerevan 2025

Satala Aphrodite. The Aphrodite of Knidos was an Ancient Greek sculpture of the goddess Aphrodite created by Praxiteles of Athens around the 4th century BC. It was one of the first life-sized representations of the nude female form in Greek history, displaying an alternative idea to male heroic nudity.

The Knidian Aphrodite was one of the most widely copied statues in the ancient world, so a general idea of the appearance of the statue can be gleaned from the descriptions and replicas that have survived to the modern day. Influence →

The Aphrodite of Knidos was a marble carving of the goddess Aphrodite by the sculptor Praxiteles, which was bought by the people of Knidos in the middle of the 4th century BC. Original →

The temple of Aphrodite in Knidos where the statue was displayed is described by two ancient sources, Pliny the Elder in his Natural History and Pseudo-Lucian in his Amores. According to Pliny, the sculpture was housed in a small building, open on all sides – by which he likely meant a monopteros, a colonnade with a roof but no walls. Temple in Knidos →

Yerevantsi · CC BY 4.0 · Wikimedia Commons

Venus de Medici

Venus de Medici

The Venus de' Medici, of the variant Venus Pudica type where both hands cover the body. The Aphrodite of Knidos was an Ancient Greek sculpture of the goddess Aphrodite created by Praxiteles of Athens around the 4th century BC. It was one of the first life-sized representations of the nude female form in Greek history, displaying an alternative idea to male heroic nudity.

The Knidian Aphrodite was one of the most widely copied statues in the ancient world, so a general idea of the appearance of the statue can be gleaned from the descriptions and replicas that have survived to the modern day. Influence →

The Aphrodite of Knidos was a marble carving of the goddess Aphrodite by the sculptor Praxiteles, which was bought by the people of Knidos in the middle of the 4th century BC. Original →

The temple of Aphrodite in Knidos where the statue was displayed is described by two ancient sources, Pliny the Elder in his Natural History and Pseudo-Lucian in his Amores. According to Pliny, the sculpture was housed in a small building, open on all sides – by which he likely meant a monopteros, a colonnade with a roof but no walls. Temple in Knidos →

Wai Laam Lo · CC BY-SA 3.0 · Wikimedia Commons

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