Minoan mural painting from Knossos, Crete, c. 1450 BCE
The Bull-Leaping Fresco is the most completely restored of several stucco panels originally sited on the upper-story portion of the east wall of the Minoan palace at Knossos in Crete. It shows a bull-leaping scene. Although they were frescos, they were painted on stucco relief scenes. They were difficult to produce.
Close-up of right figure of the Taureador Fresco. The Bull-Leaping Fresco is the most completely restored of several stucco panels originally sited on the upper-story portion of the east wall of the Minoan palace at Knossos in Crete. It shows a bull-leaping scene.
Arthur Evans recognized that depictions of bulls and bull-handling had a long tradition represented by copious instances in multi-media art, not only at Knossos, and other sites on Crete, but also in the Aegean and on mainland Greece, with a tradition even more ancient in Egypt and the Middle East. Minoan bull-leaping →
Evans noted the survival of bull sports into classical times; for example, the taurokathapsia of Thessaly. The word means "laying hold of the bull," which in modern times is sometimes used for dabing of the Taureador Fresco. Taurokathapsia and other classical words →
Close-up of central figure of the Taureador Fresco.[3]. The Bull-Leaping Fresco is the most completely restored of several stucco panels originally sited on the upper-story portion of the east wall of the Minoan palace at Knossos in Crete. It shows a bull-leaping scene.
Arthur Evans recognized that depictions of bulls and bull-handling had a long tradition represented by copious instances in multi-media art, not only at Knossos, and other sites on Crete, but also in the Aegean and on mainland Greece, with a tradition even more ancient in Egypt and the Middle East. Minoan bull-leaping →
Evans noted the survival of bull sports into classical times; for example, the taurokathapsia of Thessaly. The word means "laying hold of the bull," which in modern times is sometimes used for dabing of the Taureador Fresco. Taurokathapsia and other classical words →
Close-up of left figure of the Taureador Fresco. The Bull-Leaping Fresco is the most completely restored of several stucco panels originally sited on the upper-story portion of the east wall of the Minoan palace at Knossos in Crete. It shows a bull-leaping scene.
Arthur Evans recognized that depictions of bulls and bull-handling had a long tradition represented by copious instances in multi-media art, not only at Knossos, and other sites on Crete, but also in the Aegean and on mainland Greece, with a tradition even more ancient in Egypt and the Middle East. Minoan bull-leaping →
Evans noted the survival of bull sports into classical times; for example, the taurokathapsia of Thessaly. The word means "laying hold of the bull," which in modern times is sometimes used for dabing of the Taureador Fresco. Taurokathapsia and other classical words →
This close-up depicts a possible reconstruction of the fresco depicting the grip used by bull-leapers. The Bull-Leaping Fresco is the most completely restored of several stucco panels originally sited on the upper-story portion of the east wall of the Minoan palace at Knossos in Crete. It shows a bull-leaping scene.
Arthur Evans recognized that depictions of bulls and bull-handling had a long tradition represented by copious instances in multi-media art, not only at Knossos, and other sites on Crete, but also in the Aegean and on mainland Greece, with a tradition even more ancient in Egypt and the Middle East. Minoan bull-leaping →
Evans noted the survival of bull sports into classical times; for example, the taurokathapsia of Thessaly. The word means "laying hold of the bull," which in modern times is sometimes used for dabing of the Taureador Fresco. Taurokathapsia and other classical words →
Bronze bull-leaper group in the British Museum. The Bull-Leaping Fresco is the most completely restored of several stucco panels originally sited on the upper-story portion of the east wall of the Minoan palace at Knossos in Crete. It shows a bull-leaping scene.
Arthur Evans recognized that depictions of bulls and bull-handling had a long tradition represented by copious instances in multi-media art, not only at Knossos, and other sites on Crete, but also in the Aegean and on mainland Greece, with a tradition even more ancient in Egypt and the Middle East. Minoan bull-leaping →
Evans noted the survival of bull sports into classical times; for example, the taurokathapsia of Thessaly. The word means "laying hold of the bull," which in modern times is sometimes used for dabing of the Taureador Fresco. Taurokathapsia and other classical words →
Carole Raddato from FRANKFURT, Germany · CC BY-SA 2.0 · Wikimedia Commons
Bull leaping, painting on rock crystal, Knossos, 1600-1450 BC, AMH, 145081
Fragment of painting on rock crystal, Knossos, 1600-1450 BC, AMH. The Bull-Leaping Fresco is the most completely restored of several stucco panels originally sited on the upper-story portion of the east wall of the Minoan palace at Knossos in Crete. It shows a bull-leaping scene.
Arthur Evans recognized that depictions of bulls and bull-handling had a long tradition represented by copious instances in multi-media art, not only at Knossos, and other sites on Crete, but also in the Aegean and on mainland Greece, with a tradition even more ancient in Egypt and the Middle East. Minoan bull-leaping →
Evans noted the survival of bull sports into classical times; for example, the taurokathapsia of Thessaly. The word means "laying hold of the bull," which in modern times is sometimes used for dabing of the Taureador Fresco. Taurokathapsia and other classical words →
Ivory bull-leaper, "Ivory Deposit" at Knossos, prob. MM IIIB, AMH.[9]. The Bull-Leaping Fresco is the most completely restored of several stucco panels originally sited on the upper-story portion of the east wall of the Minoan palace at Knossos in Crete. It shows a bull-leaping scene.
Arthur Evans recognized that depictions of bulls and bull-handling had a long tradition represented by copious instances in multi-media art, not only at Knossos, and other sites on Crete, but also in the Aegean and on mainland Greece, with a tradition even more ancient in Egypt and the Middle East. Minoan bull-leaping →
Evans noted the survival of bull sports into classical times; for example, the taurokathapsia of Thessaly. The word means "laying hold of the bull," which in modern times is sometimes used for dabing of the Taureador Fresco. Taurokathapsia and other classical words →
Carole Raddato from Frankfurt, Germany · CC BY-SA 2.0 · Wikimedia Commons
Knossos bull leaping fresco
The Bull-Leaping Fresco is the most completely restored of several stucco panels originally sited on the upper-story portion of the east wall of the Minoan palace at Knossos in Crete. It shows a bull-leaping scene. Although they were frescos, they were painted on stucco relief scenes.
Arthur Evans recognized that depictions of bulls and bull-handling had a long tradition represented by copious instances in multi-media art, not only at Knossos, and other sites on Crete, but also in the Aegean and on mainland Greece, with a tradition even more ancient in Egypt and the Middle East. Minoan bull-leaping →
Evans noted the survival of bull sports into classical times; for example, the taurokathapsia of Thessaly. The word means "laying hold of the bull," which in modern times is sometimes used for dabing of the Taureador Fresco. Taurokathapsia and other classical words →
Bull-leaping on a gold signet ring. The Bull-Leaping Fresco is the most completely restored of several stucco panels originally sited on the upper-story portion of the east wall of the Minoan palace at Knossos in Crete. It shows a bull-leaping scene.
Arthur Evans recognized that depictions of bulls and bull-handling had a long tradition represented by copious instances in multi-media art, not only at Knossos, and other sites on Crete, but also in the Aegean and on mainland Greece, with a tradition even more ancient in Egypt and the Middle East. Minoan bull-leaping →
Evans noted the survival of bull sports into classical times; for example, the taurokathapsia of Thessaly. The word means "laying hold of the bull," which in modern times is sometimes used for dabing of the Taureador Fresco. Taurokathapsia and other classical words →
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